https://cindycoutant.net cindy coutant Mon, 06 Feb 2023 11:07:02 +0000 https://cindycoutant.net en https://cindycoutant.net/everytoolisapoem Mon, 06 Feb 2023 11:07:02 +0000 cindy coutant https://cindycoutant.net/everytoolisapoem EVERY TOOL IS A POEM (CHAQUE OUTIL EST UN POÈME) <img width="2896" height="1866" width_o="2896" height_o="1866" data-src="https://freight.cargo.site/t/original/i/ccffd2bf9a347951b2f700d8975de841728e4e53e65e2b793244310b0933270f/EVERYTOOL.png" data-mid="167425784" border="0" src="https://freight.cargo.site/w/1000/i/ccffd2bf9a347951b2f700d8975de841728e4e53e65e2b793244310b0933270f/EVERYTOOL.png" /><img width="2431" height="1618" width_o="2431" height_o="1618" data-src="https://freight.cargo.site/t/original/i/d937d6a07b8dd6720cdbb2529cf98381fc80ddf61071ea31c19b0c40746ef5f0/js-lecture.jpg" data-mid="167423766" border="0" src="https://freight.cargo.site/w/1000/i/d937d6a07b8dd6720cdbb2529cf98381fc80ddf61071ea31c19b0c40746ef5f0/js-lecture.jpg" /> Every tool is a poem (chaque outil est un poème) Performance l4bouche + Claire Williamsl4bouche (Cindy Coutant + Estelle Benazet H.) joins Claire Williams to embody the voice of Zoë Sofia: from her writings, they reconstruct her sharp plea for an eradication of excremental births and exterminist practices of the military-industrial complex. The academic work becomes an fragmented and burning. The words slice and strike; the antennas of Claire Williams capture the electromagnetic vibrations and extraterrestrial presences for a journey through the bodies. “Let's take a perspective let’s name this perspective the sexo-semiotics of technology a type of psychoanalytic ethnography concerned with the poetics and erotics of toolsWithin the sexo-semiotics of technology every tool is a poemevery tool is a poemevery tool is a poemevery tool is in itself the work of poetic operations which hollow out, displace, condense, re-work, re-present, and over-work matter and energy across space and time.” “Adoptons une perspective nommons cette perspective la sexo-sémiotique de la technologie, un type d’ethnographie psychanalytique soucieuse de la poétique et de l’érotique des outils. dans la sexo-sémiotique de la technologie chaque outil est un poème, chaque outil est un poeme chaque outil est un poeme chaque outil est le travail d’opérations poétiques qui évident, déplacent, condensent, re-travaillent, re-présentent, et éreintent la matière et l’énergie à travers l’espace et le temps.” https://cindycoutant.net/jupiter-space Fri, 31 Dec 2021 15:30:03 +0000 cindy coutant https://cindycoutant.net/jupiter-space JUPITER SPACE <img width="4592" height="3064" width_o="4592" height_o="3064" data-src="https://freight.cargo.site/t/original/i/29dbabda631541a958327eb85fa8b97645d3e02247a7fa45766bf6c1291cf1e6/1_JS-general-view1.jpg" data-mid="128630821" border="0" src="https://freight.cargo.site/w/1000/i/29dbabda631541a958327eb85fa8b97645d3e02247a7fa45766bf6c1291cf1e6/1_JS-general-view1.jpg" /> <img width="4318" height="2881" width_o="4318" height_o="2881" data-src="https://freight.cargo.site/t/original/i/dde6c7e1bdae36ea968b03898c71d8b6e3690e7c041028e4740d57417d1849e4/2-1_JS-Cannibaleyes-wall-gen-view.jpg" data-mid="128630853" border="0" src="https://freight.cargo.site/w/1000/i/dde6c7e1bdae36ea968b03898c71d8b6e3690e7c041028e4740d57417d1849e4/2-1_JS-Cannibaleyes-wall-gen-view.jpg" /> <img width="4028" height="2687" width_o="4028" height_o="2687" data-src="https://freight.cargo.site/t/original/i/22d9d7dbf604d6cbc49444c6b2cc896b8ba8463e76728bff51536b47ea0ce260/2-3_JS-Cannibaleyes-wall-detail2.jpg" data-mid="128630855" border="0" src="https://freight.cargo.site/w/1000/i/22d9d7dbf604d6cbc49444c6b2cc896b8ba8463e76728bff51536b47ea0ce260/2-3_JS-Cannibaleyes-wall-detail2.jpg" /> <img width="4581" height="3056" width_o="4581" height_o="3056" data-src="https://freight.cargo.site/t/original/i/b9163fe2042fc8742ec6da720d87bcf38044e699c650afeee656e070f043144c/3-1_JS-Logospermatechnos-gen-view.jpg" data-mid="128630891" border="0" src="https://freight.cargo.site/w/1000/i/b9163fe2042fc8742ec6da720d87bcf38044e699c650afeee656e070f043144c/3-1_JS-Logospermatechnos-gen-view.jpg" /> <img width="4359" height="2869" width_o="4359" height_o="2869" data-src="https://freight.cargo.site/t/original/i/7338bbfb3c546f771abfaf2d58c7b84d9ed249b15f854e324daabf8a288c5870/1_JS-general-view2.jpg" data-mid="128630859" border="0" src="https://freight.cargo.site/w/1000/i/7338bbfb3c546f771abfaf2d58c7b84d9ed249b15f854e324daabf8a288c5870/1_JS-general-view2.jpg" /> Jupiter Space l4bouche translates Zoë Sofia residency from 20.09.21 to 10.15.21 exhibition from 10.15.21 to 11.20.21 @Les Limbes, St Etienne, France Curatorial reading/translation of Zoë Sofia's academic article “Exterminating Foetuses: Abortion, Disarmament, and the Sexo-Semiotics of Extraterrestrialism” (Diacritics, “Nuclear Criticism” special issue, Vol. 14, No. 2, Summer, 1984). https://cindycoutant.net/NELR Fri, 31 Dec 2021 15:30:03 +0000 cindy coutant https://cindycoutant.net/NELR NINA ET LES ROBOTS <img width="1800" height="1080" width_o="1800" height_o="1080" data-src="https://freight.cargo.site/t/original/i/961b1ba53853d272c42831cc8cde90257646e656616d66b5f36b488177558ab0/NELR0.jpg" data-mid="128637823" border="0" src="https://freight.cargo.site/w/1000/i/961b1ba53853d272c42831cc8cde90257646e656616d66b5f36b488177558ab0/NELR0.jpg" /> <img width="1800" height="1080" width_o="1800" height_o="1080" data-src="https://freight.cargo.site/t/original/i/56d8b25eb3471174d3c1d36d974eaa866e27ebf066ac88867fd0d9e3b608c48f/NELR_2.jpg" data-mid="128637784" border="0" src="https://freight.cargo.site/w/1000/i/56d8b25eb3471174d3c1d36d974eaa866e27ebf066ac88867fd0d9e3b608c48f/NELR_2.jpg" /> <img width="1800" height="1080" width_o="1800" height_o="1080" data-src="https://freight.cargo.site/t/original/i/45d8ceba205d9f28c826ebfc5476d896f61648b4650283d3c21899c37c1bacb8/NELR_4.jpg" data-mid="128637792" border="0" src="https://freight.cargo.site/w/1000/i/45d8ceba205d9f28c826ebfc5476d896f61648b4650283d3c21899c37c1bacb8/NELR_4.jpg" /> <img width="1800" height="1080" width_o="1800" height_o="1080" data-src="https://freight.cargo.site/t/original/i/3188fe5221f76dab9938e577cb59b732b3a783421a344a39977a8a55b3e5bd3b/NELR_6.jpg" data-mid="128637749" border="0" src="https://freight.cargo.site/w/1000/i/3188fe5221f76dab9938e577cb59b732b3a783421a344a39977a8a55b3e5bd3b/NELR_6.jpg" /> NINA ET LES ROBOTS Opera, film 16mm, 17’ 2020 ni nino ni nina nino nina les eaux te voient ni les eaux te voient elles se tordent ni, tu es durcie &nbsp; &nbsp; mea infantem ! [ma semence encore muette] durcie ni, ta langue &nbsp; &nbsp; mea rem ! [ma chose] langue enfante langue amante &nbsp; &nbsp; mollis mollis ! [molle molle] mol amour &nbsp; &nbsp; mea amorem ! [mon amour]ni ni frappe ta bouche et tranche ton souffle &nbsp; &nbsp; mea orae ! [mes bouches] ni (no/na) parle tout droit bouche à bouche https://cindycoutant.net/teledesir-1 Fri, 31 Dec 2021 15:30:03 +0000 cindy coutant https://cindycoutant.net/teledesir-1 TÉLÉDÉSIR <img width="2048" height="858" width_o="2048" height_o="858" data-src="https://freight.cargo.site/t/original/i/dddcfccc19d79e486df97db78dda5e86c0891aac4093546a09d2030b032f6e44/teledesir-still-1.jpg" data-mid="128639151" border="0" src="https://freight.cargo.site/w/1000/i/dddcfccc19d79e486df97db78dda5e86c0891aac4093546a09d2030b032f6e44/teledesir-still-1.jpg" /> <img width="2048" height="858" width_o="2048" height_o="858" data-src="https://freight.cargo.site/t/original/i/fac27b843aaef64602dda759a761fec98342c6b9774006ce671f1d78d08cd400/3-ccoutant-teledesir.jpg" data-mid="128639147" border="0" src="https://freight.cargo.site/w/1000/i/fac27b843aaef64602dda759a761fec98342c6b9774006ce671f1d78d08cd400/3-ccoutant-teledesir.jpg" /> <img width="5637" height="2362" width_o="5637" height_o="2362" data-src="https://freight.cargo.site/t/original/i/7a2d6f84c91e8f9d59eb08971e0f97583549f71b83c0ee6432d16233f75edbf3/teledesir-still-4.jpg" data-mid="128639145" border="0" src="https://freight.cargo.site/w/1000/i/7a2d6f84c91e8f9d59eb08971e0f97583549f71b83c0ee6432d16233f75edbf3/teledesir-still-4.jpg" /> <img width="2048" height="858" width_o="2048" height_o="858" data-src="https://freight.cargo.site/t/original/i/81a3e46b3f95bbfdf7309721058a97f62936f7d0db9f72c1045731eba0098322/4-ccoutant-teledesir2.jpg" data-mid="128639148" border="0" src="https://freight.cargo.site/w/1000/i/81a3e46b3f95bbfdf7309721058a97f62936f7d0db9f72c1045731eba0098322/4-ccoutant-teledesir2.jpg" /> Film 4K, 27’ 2018 https://cindycoutant.net/affectshightech Sat, 05 Feb 2022 11:50:57 +0000 cindy coutant https://cindycoutant.net/affectshightech HIGH-TECH AFFECTS &amp; COLLAPSED FUTURE <img width="2696" height="1640" width_o="2696" height_o="1640" data-src="https://freight.cargo.site/t/original/i/8aa988e20b15a8b5c81bdae0b0e42215c3957682f2f35d356a1a16ae2fe449db/affectshigh-tech.jpg" data-mid="132542429" border="0" src="https://freight.cargo.site/w/1000/i/8aa988e20b15a8b5c81bdae0b0e42215c3957682f2f35d356a1a16ae2fe449db/affectshigh-tech.jpg" />This research deciphers the unthought, untold and the insecurities on which the rhetoric of progress, the culture of science fiction and the imaginaries of the future are based, through a genealogy of the technological narrative that unfolded starting 1984 - in the neoliberal turn, the spectrum of nuclear war and the apocalyptic feeling. Examining cultural objects and apparatus generated by the mass media, this research seeks to identify the opacity of our time, which is characterized as much by an inability to grasp and articulate a present that seems to have become fungible, where nonsense and déjà-vus dominate, as it is to think of a livable future. It considers the anxiety of bodies and the indeterminacy of affects as crucial issues for the military-industrial complex, but also as the foundation of another technological narrative.&nbsp; Practice-led PhD (visual arts) sup. by Nathalie Delbard (CEAC/UdeLille) &amp; Julien Prévieux 2022 https://cindycoutant.net/hi-def-1 Fri, 31 Dec 2021 18:59:19 +0000 cindy coutant https://cindycoutant.net/hi-def-1 HI-DEF! <img width="4724" height="3150" width_o="4724" height_o="3150" data-src="https://freight.cargo.site/t/original/i/fcae19324971f50c375d8e76213d609b17bd8ca9f39ea0468e725b68c4cd49a2/2-ccoutant-hi-def.jpg" data-mid="128639974" border="0" src="https://freight.cargo.site/w/1000/i/fcae19324971f50c375d8e76213d609b17bd8ca9f39ea0468e725b68c4cd49a2/2-ccoutant-hi-def.jpg" /> Installation Screens, holographic fan, subwoofer 2019 https://cindycoutant.net/undershoot-serie Sat, 05 Feb 2022 12:39:31 +0000 cindy coutant https://cindycoutant.net/undershoot-serie UNDERSHOOT SERIE <img width="2648" height="1572" width_o="2648" height_o="1572" data-src="https://freight.cargo.site/t/original/i/8a51485a44746b36e05347b46a38c18cb2131f40a8207af6c3199fd87bda8a3a/2018-CCoutant_les-passions-telematiques.jpg" data-mid="132543942" border="0" src="https://freight.cargo.site/w/1000/i/8a51485a44746b36e05347b46a38c18cb2131f40a8207af6c3199fd87bda8a3a/2018-CCoutant_les-passions-telematiques.jpg" /> <img width="1384" height="924" width_o="1384" height_o="924" data-src="https://freight.cargo.site/t/original/i/b11df2968ef41a507ac8f999c278004c234c5397cf50d6a04e5f2171100d8efb/UNDChelsea-screens.jpg" data-mid="132544088" border="0" src="https://freight.cargo.site/w/1000/i/b11df2968ef41a507ac8f999c278004c234c5397cf50d6a04e5f2171100d8efb/UNDChelsea-screens.jpg" /> <img width="3751" height="2492" width_o="3751" height_o="2492" data-src="https://freight.cargo.site/t/original/i/d8bf6cf9376e1e0cd277a9f508740dcf3bc432413f0a6840e3449751fe5b4521/UNDIII-2.jpg" data-mid="132544039" border="0" src="https://freight.cargo.site/w/1000/i/d8bf6cf9376e1e0cd277a9f508740dcf3bc432413f0a6840e3449751fe5b4521/UNDIII-2.jpg" /> <img width="4288" height="2848" width_o="4288" height_o="2848" data-src="https://freight.cargo.site/t/original/i/e07d112036a81a98c92d6e4b064478c186db3bcccca84f6f7815a7bf4a1b020a/UNDIII-3.jpg" data-mid="132544206" border="0" src="https://freight.cargo.site/w/1000/i/e07d112036a81a98c92d6e4b064478c186db3bcccca84f6f7815a7bf4a1b020a/UNDIII-3.jpg" /> The undershoot is, in linguistics, a phenomenon of failure of the articulatory target. In other words, when we say something that doesn't come out, because we get confused, because we have a deformity, or because the acoustic conditions are not right, we call it an undershoot. The Undershoot series focuses on famous or anonymous personalities: Chelsea Manning, Cristiano Ronaldo, and Youtubers. Caught in situations of language, these subjects are staged to expose the inseparable nature of bodies with their technical devices of enunciation, from online chat to language. Each in their own way, they expose their attempt to "realize" their virtual identity. 1. Undershoot, sensitive data: Chelsea2. Undershoot, sensitive data: Cristiano3. Undershoot: we whistle and we blow Installations, prod &lt;3 (Zebra3, Confort Moderne, LAC&amp;S Lavitrine) 2016-17 https://cindycoutant.net/streammeariver Sat, 05 Feb 2022 13:45:19 +0000 cindy coutant https://cindycoutant.net/streammeariver STREAM ME A RIVER (SERIES) <img width="2804" height="1727" width_o="2804" height_o="1727" data-src="https://freight.cargo.site/t/original/i/d237b6eb835464aa5ee357441dc5796674cd30782e57a13046e075bd01554b16/5-ccoutant-stream-me-a-river.jpg" data-mid="132546292" border="0" src="https://freight.cargo.site/w/1000/i/d237b6eb835464aa5ee357441dc5796674cd30782e57a13046e075bd01554b16/5-ccoutant-stream-me-a-river.jpg" /> <img width="1200" height="630" width_o="1200" height_o="630" data-src="https://freight.cargo.site/t/original/i/501531c4baaac3e5280cf82742db4130cff83469c212ef00577b6ca95c104f27/1streammeariver.png" data-mid="132546294" border="0" src="https://freight.cargo.site/w/1000/i/501531c4baaac3e5280cf82742db4130cff83469c212ef00577b6ca95c104f27/1streammeariver.png" /> <img width="3360" height="2050" width_o="3360" height_o="2050" data-src="https://freight.cargo.site/t/original/i/d6a6281f3ccf40c8a7778c013e583e3bc21ef23f3b5226f6df114eb587f6edc8/lefluideparfait.png" data-mid="132546321" border="0" src="https://freight.cargo.site/w/1000/i/d6a6281f3ccf40c8a7778c013e583e3bc21ef23f3b5226f6df114eb587f6edc8/lefluideparfait.png" /> <img width="3358" height="1887" width_o="3358" height_o="1887" data-src="https://freight.cargo.site/t/original/i/6cc60fd5a576e759561d05f783bbe1cb068cd3c6ae92783e0d8b6fcad44bb9d9/hypersoupe1.png" data-mid="132546322" border="0" src="https://freight.cargo.site/w/1000/i/6cc60fd5a576e759561d05f783bbe1cb068cd3c6ae92783e0d8b6fcad44bb9d9/hypersoupe1.png" /> Written during the election of Donald Trump as President of the United States, the first episode of Stream me river reports on a survey conducted in the future. The reading is enhanced by videos, images and live discussions of “crawlers” incarnated by synthetic voices that search the internet and generate, through a program, their own body of texts. These pointers are enigmas to be solved in order to catch sight of a society surrounded by an extreme linguistic capitalism.The Perfect Fluid is the 2nd episode of the Stream me a river serie. Back from the future, Val and Jean-Claude are on the roof of a building, just before the Apocalypse. The bodies observe each other and come closer, until they experience a carnal fusion with meat fallen from the sky. In Hypersoupe, 3rd episode of the Stream me a river serie, Val waits for a message from Jean-Claude. In this semi-improvised reading for smartphone and voice, we dive into a love story at a distance. While setting up the expectation of the text message that does not come, the performance draws a molecular landscape of stream and notifications that repeat, modify, and harmonize themselves. 1. Stream me a river2. Stream me a river 2: Le fluide parfait3. Stream me a river 3: Hypersoupe Augmented readings, prod. Productions Rhizome (Québéc,CA), Le Wonder/Liebert (Bagnolet, FR), Le Printemps de Septembre (Toulouse, FR) 2017-19 https://cindycoutant.net/delaprise Sat, 05 Feb 2022 13:45:22 +0000 cindy coutant https://cindycoutant.net/delaprise DE LA PRISE DE PAROLE SENSIBLE A LA STRATEGIE DE COMMUNICATION MEDIATIQUE EN SITUATION DE CRISE <img width="1036" height="795" width_o="1036" height_o="795" data-src="https://freight.cargo.site/t/original/i/86a33af4b6234f78b412eb7a128497fe7f92d976780eccae4d826125995fa76a/delaprise.jpg" data-mid="132546850" border="0" src="https://freight.cargo.site/w/1000/i/86a33af4b6234f78b412eb7a128497fe7f92d976780eccae4d826125995fa76a/delaprise.jpg" /> <img width="367" height="300" width_o="367" height_o="300" data-src="https://freight.cargo.site/t/original/i/175fe5c7206d81977ac34a33dc0d589253d2e1b1bdfa3bb9dde683ad3e6e2432/de-la-prise-de-parole_5.jpg" data-mid="132546780" border="0" src="https://freight.cargo.site/w/367/i/175fe5c7206d81977ac34a33dc0d589253d2e1b1bdfa3bb9dde683ad3e6e2432/de-la-prise-de-parole_5.jpg" /> <img width="367" height="300" width_o="367" height_o="300" data-src="https://freight.cargo.site/t/original/i/c0f2de7e6f9df40eae6d1283017ae82606659a0f65accdd63f177cd147b507fb/de-la-prise-de-parole_7.jpg" data-mid="132546783" border="0" src="https://freight.cargo.site/w/367/i/c0f2de7e6f9df40eae6d1283017ae82606659a0f65accdd63f177cd147b507fb/de-la-prise-de-parole_7.jpg" /> <img width="367" height="300" width_o="367" height_o="300" data-src="https://freight.cargo.site/t/original/i/0572c7cddd0872409b2381a391d62d8a649ba4a0332b612beeddd16abd393a3e/de-la-prise-de-parole_1.jpg" data-mid="132546778" border="0" src="https://freight.cargo.site/w/367/i/0572c7cddd0872409b2381a391d62d8a649ba4a0332b612beeddd16abd393a3e/de-la-prise-de-parole_1.jpg" /> <img width="367" height="300" width_o="367" height_o="300" data-src="https://freight.cargo.site/t/original/i/5c8a4b0ad49e9b3cc43ada28f0ca1750c6fc8cae3f32c27a007c7d6087a03f23/de-la-prise-de-parole_2.jpg" data-mid="132546779" border="0" src="https://freight.cargo.site/w/367/i/5c8a4b0ad49e9b3cc43ada28f0ca1750c6fc8cae3f32c27a007c7d6087a03f23/de-la-prise-de-parole_2.jpg" /> <img width="367" height="300" width_o="367" height_o="300" data-src="https://freight.cargo.site/t/original/i/6186a861afcd8dca3a5146a8f149242fab2f3bd5c6b8cc65cbb237efb370d842/de-la-prise-de-parole_10.jpg" data-mid="132546776" border="0" src="https://freight.cargo.site/w/367/i/6186a861afcd8dca3a5146a8f149242fab2f3bd5c6b8cc65cbb237efb370d842/de-la-prise-de-parole_10.jpg" /> <img width="367" height="300" width_o="367" height_o="300" data-src="https://freight.cargo.site/t/original/i/3cc185180e4bd2ef087a9069e93c7b69b4ac82913557e447821d00f1cc135575/de-la-prise-de-parole_11.jpg" data-mid="132546777" border="0" src="https://freight.cargo.site/w/367/i/3cc185180e4bd2ef087a9069e93c7b69b4ac82913557e447821d00f1cc135575/de-la-prise-de-parole_11.jpg" /> Editorial project parallel to the residencies and exhibitions &lt;3 (with Zebra3, Le Confort Moderne, Lavitrine), De la prise de parole sensible à la stratégie de communication médiatique en situation de crise (From sensitive speech to media communication strategy in crisis situations) consists of an iconographic set documenting the three acts from the Undershoot series (Chelsea, devoted to Chelsea Manning; Cristiano, and We whistle and we blow), as well as reproductions of texts, in particular the script of Surface de réparation, a performance reading offering a transcription of a football match in the future, performed in 2016 at the Palais de Tokyo. The volume also features a text by Damien Airault devoted to the second part of the exhibition Undershoot, Sensitive Data: Cristiano, a digital creation project inspired by Tamagotchi that focuses on the figure of footballer Cristiano Ronaldo. Finally, the curator Jill Gasparina offers a more comprehensive essay on the artistic practice of Cindy Coutant, in which she particularly emphasizes the poetic aspect of her work. Book, éd. Confort Moderne 272 pages 2017 https://cindycoutant.net/Main-page Fri, 31 Dec 2021 15:30:04 +0000 cindy coutant https://cindycoutant.net/Main-page CINDY <img width="1639" height="2400" width_o="1639" height_o="2400" data-src="https://freight.cargo.site/t/original/i/a4d29634b8425725d44b11b028e91bab981a3b4a6df6679c8db27d1ce9ce80f6/audimat-coutant-cover-rendu-pantone-2400x2400_web.jpg" data-mid="253082991" border="0" src="https://freight.cargo.site/w/1000/i/a4d29634b8425725d44b11b028e91bab981a3b4a6df6679c8db27d1ce9ce80f6/audimat-coutant-cover-rendu-pantone-2400x2400_web.jpg" /> PÉNÉTRATION TERMINALEessai, Audimat, 2026 <img width="2348" height="4176" width_o="2348" height_o="4176" data-src="https://freight.cargo.site/t/original/i/451675edf6438e2d64da010aef0f0ae7f57fb9e0a8fbd57ec2c4e1d04f6dc9f0/MAGNANRAMA-66.jpg" data-mid="252693283" border="0" src="https://freight.cargo.site/w/1000/i/451675edf6438e2d64da010aef0f0ae7f57fb9e0a8fbd57ec2c4e1d04f6dc9f0/MAGNANRAMA-66.jpg" /> <img width="4075" height="2291" width_o="4075" height_o="2291" data-src="https://freight.cargo.site/t/original/i/9fa30e8a6ebfcf80ec16ac4acdd08d24390213c5e06a5d9eab81abb2ed20675a/MAGNANRAMA-59.jpg" data-mid="252693295" border="0" src="https://freight.cargo.site/w/1000/i/9fa30e8a6ebfcf80ec16ac4acdd08d24390213c5e06a5d9eab81abb2ed20675a/MAGNANRAMA-59.jpg" /> <img width="4240" height="2384" width_o="4240" height_o="2384" data-src="https://freight.cargo.site/t/original/i/0645cee92bdd972d5c06aa747373f224e9716e638fead738a3a798ec3a463128/MAGNANRAMA-65.jpg" data-mid="252693280" border="0" src="https://freight.cargo.site/w/1000/i/0645cee92bdd972d5c06aa747373f224e9716e638fead738a3a798ec3a463128/MAGNANRAMA-65.jpg" /> GREMLINE INTERNATIONALEsculptures, 2026 About kinky gremlins and technological penetration 2026Magnanrama, @Villa Arson, Nice, @Capucins Embruns, @Bétonsalon, Paris (FR) <img width="2143" height="3000" width_o="2143" height_o="3000" data-src="https://freight.cargo.site/t/original/i/dd8bd7c5017c0eb7df3e75c41a1b55fc95d781c3bf6ecd156656a24594db8907/5bis_LIYH_LIYH---THE_FUTURE_IS_UNMANNEDHEADGeneve-27.jpg" data-mid="209388601" border="0" src="https://freight.cargo.site/w/1000/i/dd8bd7c5017c0eb7df3e75c41a1b55fc95d781c3bf6ecd156656a24594db8907/5bis_LIYH_LIYH---THE_FUTURE_IS_UNMANNEDHEADGeneve-27.jpg" /> <img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/d915c13d7dd8deaca41dee6946b7e257a50fc07b24ae0f7600c26b285e476e59/4_LIYH_LIYH---THE_FUTURE_IS_UNMANNEDHEADGeneve-8.jpg" data-mid="209388609" border="0" src="https://freight.cargo.site/w/1000/i/d915c13d7dd8deaca41dee6946b7e257a50fc07b24ae0f7600c26b285e476e59/4_LIYH_LIYH---THE_FUTURE_IS_UNMANNEDHEADGeneve-8.jpg" /> <img width="2143" height="3000" width_o="2143" height_o="3000" data-src="https://freight.cargo.site/t/original/i/2cc6352ea91e27b8a45312e62dec3e3c7ac3beaff018f31132f776aa66a55c4d/9_LIYH_LIYH---THE_FUTURE_IS_UNMANNEDHEADGeneve-22.jpg" data-mid="209388602" border="0" src="https://freight.cargo.site/w/1000/i/2cc6352ea91e27b8a45312e62dec3e3c7ac3beaff018f31132f776aa66a55c4d/9_LIYH_LIYH---THE_FUTURE_IS_UNMANNEDHEADGeneve-22.jpg" /> THE FUTURE IS UNMANNED@Liveinyourhead - Genève&nbsp; us gremlins second-zone bodies slimy bads half-lives on the ‘bal·ens = we zone in the hole we drink motor oil we sip gasoline we suck garbage juice we snack wires our de·’rek·shen: infection we are the blasphemous life un’man·ijable data sticky smiling squirts in the special effect there is slime in the future shock untold life in the gridded skies silence in the noise muted per·’for·mens several ways to read the future is unmanned <img width="886" height="2480" width_o="886" height_o="2480" data-src="https://freight.cargo.site/t/original/i/940702ddcc345f50c526da05e5f7d2d5e7e84c5a9f022e981d09eb26734fe52e/the_future_is_unmanned_v5_web.jpg" data-mid="209405557" border="0" data-scale="48" src="https://freight.cargo.site/w/886/i/940702ddcc345f50c526da05e5f7d2d5e7e84c5a9f022e981d09eb26734fe52e/the_future_is_unmanned_v5_web.jpg" /> <img width="886" height="2480" width_o="886" height_o="2480" data-src="https://freight.cargo.site/t/original/i/6cad6c2de4726e73b75a0283168deced780565f4cd97fde908eee21ab090db65/the_future_is_unmanned_v5_web2.jpg" data-mid="209405556" border="0" data-scale="48" src="https://freight.cargo.site/w/886/i/6cad6c2de4726e73b75a0283168deced780565f4cd97fde908eee21ab090db65/the_future_is_unmanned_v5_web2.jpg" /> <img width="993" height="1404" width_o="993" height_o="1404" data-src="https://freight.cargo.site/t/original/i/f7b115378bb1125906cc4c14f72fa137faec423c1a7190a5df97f9c0816c7149/slimygrem2_web.jpg" data-mid="209390251" border="0" src="https://freight.cargo.site/w/993/i/f7b115378bb1125906cc4c14f72fa137faec423c1a7190a5df97f9c0816c7149/slimygrem2_web.jpg" /> SLIMY BAD SMILING GIZMOSdigital painting, series of 5, 2024 About who smiles in the slime <img width="2143" height="3000" width_o="2143" height_o="3000" data-src="https://freight.cargo.site/t/original/i/3c46c9c4628f187b70484bd0ed2677caa7c5d7ae1406a719100b89bda18398b2/2_LIYH_LIYH---THE_FUTURE_IS_UNMANNEDHEADGeneve-3.jpg" data-mid="209388611" border="0" src="https://freight.cargo.site/w/1000/i/3c46c9c4628f187b70484bd0ed2677caa7c5d7ae1406a719100b89bda18398b2/2_LIYH_LIYH---THE_FUTURE_IS_UNMANNEDHEADGeneve-3.jpg" /> <img width="3000" height="2143" width_o="3000" height_o="2143" data-src="https://freight.cargo.site/t/original/i/e971f8f76b998e1b5e172b74bdfc7a51cd7e98737e1545bdf25f383fd48aa58c/1_LIYH_LIYH---THE_FUTURE_IS_UNMANNEDHEADGeneve-2.jpg" data-mid="209388612" border="0" src="https://freight.cargo.site/w/1000/i/e971f8f76b998e1b5e172b74bdfc7a51cd7e98737e1545bdf25f383fd48aa58c/1_LIYH_LIYH---THE_FUTURE_IS_UNMANNEDHEADGeneve-2.jpg" /> HIGH-BLAH WITH FLY (after Rockwell International, 1986)inkjet printing mounted on wood,&nbsp;841x1189 mm About big tech buzzwords <img width="2048" height="2048" width_o="2048" height_o="2048" data-src="https://freight.cargo.site/t/original/i/254854a4cb891db71e4ec2a39bfd73cfcb4cbdb07ccbcc9510afcabe240a7264/IMG_0227.JPG" data-mid="167437703" border="0" src="https://freight.cargo.site/w/1000/i/254854a4cb891db71e4ec2a39bfd73cfcb4cbdb07ccbcc9510afcabe240a7264/IMG_0227.JPG" /> SOUNDS OF EARTH PART. 2: AFTERLIFE 38’ mixtape w/ Théo Pozoga and AI [commissioned by FRAC Corsica], 2023About a US supergroup sending an ultimate testimony of life on earth before the ultimate crash &gt; listen &lt;1. Opening (Carl Sagan) 2. Crackin’ the Universe (Drake) 3. My Kind Can Not Answer Me (Simba The Baby King Lion) 4. No Dick Pics Of The Wild (Nicki Minaj) 5. Life Unseen (The Little Mermaid) 6. That Black Hole Desire (Lady Gaga) 7. Future is a Butthole (Kanye West) 8. The Last Lullaby (Bugs Bunny) 2023@Centre Wallonie Bruxelles <img width="2870" height="1606" width_o="2870" height_o="1606" data-src="https://freight.cargo.site/t/original/i/56a4b7831bfea85c48ca347027d05ea44cdbf4a34cc699bc0a1c9149c19a6c32/Capture-decran-2022-04-26-a-18.53.14.png" data-mid="167436789" border="0" src="https://freight.cargo.site/w/1000/i/56a4b7831bfea85c48ca347027d05ea44cdbf4a34cc699bc0a1c9149c19a6c32/Capture-decran-2022-04-26-a-18.53.14.png" /> OH MON GROS BÉBÉ performance w/ Théo Pozoga, 2022 About naming bombs “Little boy” and other hegemonic irrationalities&nbsp; [more] 2022@Gaîté Lyrique <img width="3282" height="2301" width_o="3282" height_o="2301" data-src="https://freight.cargo.site/t/original/i/55dd4fbf25b4921d165d26af46212a5eda0f9703df7716485097661e918c4c55/couv-full-sofia.png" data-mid="167436222" border="0" src="https://freight.cargo.site/w/1000/i/55dd4fbf25b4921d165d26af46212a5eda0f9703df7716485097661e918c4c55/couv-full-sofia.png" /> EXTERMINER LES FŒTUS : AVORTEMENT, DÉSARMEMENT, SEXO-SÉMIOTIQUE DE L’EXTRATERRESTRE [l4bouche] livre, 2022 Traduction en français + entretien + documentation de Jupiter Space + contribution de Jacopo Rasmi 2022@That’s what x said, Brussels, (BE) From Bellies to Tentacles (cur. La Satellite) @cité des arts - Paris Marais JUPITER SPACE in group show 'more than living'. @cinéma Saint Andre des arts - Paris (FR) @librairie Petite Egypte - Paris (FR) @librairie Tulitu - Bruxelles (BE) <img width="2896" height="1866" width_o="2896" height_o="1866" data-src="https://freight.cargo.site/t/original/i/ccffd2bf9a347951b2f700d8975de841728e4e53e65e2b793244310b0933270f/EVERYTOOL.png" data-mid="167435919" border="0" src="https://freight.cargo.site/w/1000/i/ccffd2bf9a347951b2f700d8975de841728e4e53e65e2b793244310b0933270f/EVERYTOOL.png" /> EVERY TOOL IS A POEM [l4bouche w/ Claire Williams] performance, 2022 About bringing tools and ideas into the world and taking care of these babies too [more] 2022@That’s what x said, Brussels, (BE) From Bellies to Tentacles (cur. La Satellite) @cité des arts - Paris MaraisJUPITER SPACE in group show 'more than living'.&nbsp; <img width="4592" height="3064" width_o="4592" height_o="3064" data-src="https://freight.cargo.site/t/original/i/29dbabda631541a958327eb85fa8b97645d3e02247a7fa45766bf6c1291cf1e6/1_JS-general-view1.jpg" data-mid="128630446" border="0" src="https://freight.cargo.site/w/1000/i/29dbabda631541a958327eb85fa8b97645d3e02247a7fa45766bf6c1291cf1e6/1_JS-general-view1.jpg" /> <img width="4028" height="2687" width_o="4028" height_o="2687" data-src="https://freight.cargo.site/t/original/i/22d9d7dbf604d6cbc49444c6b2cc896b8ba8463e76728bff51536b47ea0ce260/2-3_JS-Cannibaleyes-wall-detail2.jpg" data-mid="128630482" border="0" src="https://freight.cargo.site/w/1000/i/22d9d7dbf604d6cbc49444c6b2cc896b8ba8463e76728bff51536b47ea0ce260/2-3_JS-Cannibaleyes-wall-detail2.jpg" /> JUPITER SPACE [l4bouche] 2021 l4bouche translates Zoë Sofia [more] 2022 @cité des arts - Paris Marais JUPITER SPACE in group show 'more than living'. @EROSS lab., Dublin City University “Jupiter Space”: Curating Zoe Sofia’s Paradigms of Exterminism, Excrementalism and Extraterrestrialism&nbsp; 2021 JUPITER SPACE - l4bouche translates Zoë Sofia collective translation, residency, exhibition &amp; performance @Les Limbes, St Etienne <img width="709" height="425" width_o="709" height_o="425" data-src="https://freight.cargo.site/t/original/i/11b366793958395fa18271bfe82f54d8e0d92fe8c4d1706c26369ed712eedf1e/NELR.gif" data-mid="128660620" border="0" src="https://freight.cargo.site/w/709/i/11b366793958395fa18271bfe82f54d8e0d92fe8c4d1706c26369ed712eedf1e/NELR.gif" /> <img width="1800" height="1080" width_o="1800" height_o="1080" data-src="https://freight.cargo.site/t/original/i/45d8ceba205d9f28c826ebfc5476d896f61648b4650283d3c21899c37c1bacb8/NELR_4.jpg" data-mid="128661211" border="0" src="https://freight.cargo.site/w/1000/i/45d8ceba205d9f28c826ebfc5476d896f61648b4650283d3c21899c37c1bacb8/NELR_4.jpg" /> NINA ET LES ROBOTS Film 16mm, 17’2020 About telecommunication Collection FRAC-Artothèque Nouvelle-Aquitaine&nbsp; [more] 2022@Queer Lisboa (PT) @MAMCO Genève live performance (Genève, CH) @Melt Festival, Secret Garden of Porn, Ferropolis - Gräfenhainichen, DE)Brussels Porn Film Festival, Cinema Aventure (Bruxelles, BE) Hacker Porn Film Festival, Trenta Formiche (Rome, IT) 2021@Biennale Nova_XX Pantopie et Métastabilité, Centre Wallonie-Bruxelles (Paris, FR) @Les mains gauches (Marseille, FR) @Sicilia Queer21 (Palerme, IT) @Wonder/Clichy (FR) @Wild Out, SPOT (Taipei, TW) @PornFilmFest (Berlin, DE) @Panorama 21: Sentinelles, Le Fresnoy (Tourcoing, FR) <img width="2048" height="858" width_o="2048" height_o="858" data-src="https://freight.cargo.site/t/original/i/81a3e46b3f95bbfdf7309721058a97f62936f7d0db9f72c1045731eba0098322/4-ccoutant-teledesir2.jpg" data-mid="128633501" border="0" src="https://freight.cargo.site/w/1000/i/81a3e46b3f95bbfdf7309721058a97f62936f7d0db9f72c1045731eba0098322/4-ccoutant-teledesir2.jpg" /> <img width="2048" height="858" width_o="2048" height_o="858" data-src="https://freight.cargo.site/t/original/i/04a6159be977a03fcc41a69f528b6657234793f3037449f2051bed9489950ee5/teledesir-still-2.jpg" data-mid="128633319" border="0" src="https://freight.cargo.site/w/1000/i/04a6159be977a03fcc41a69f528b6657234793f3037449f2051bed9489950ee5/teledesir-still-2.jpg" /> TÉLÉDÉSIR Video 4K, 27’2018 About connection Collection MRAC-Occitanie [more] 2023@MRAC Occitanie, Sérignan (FR) 2022@Nova_XX, CWB (Paris, FR) @Korean Cultural Center (Brussels, BE) 2021 @Escape from/to:, Nýlistasafnið, (Reykjavik, IS) @T0I700d, Les Filles du Calvaire (Paris, FR) 2019 @Unsupported Message Format, Valeria Cetraro (Paris, FR)@Futures of Love, Les Magasins Généraux, (Pantin, FR) @On the Edge, ArtVilnius’19, (Vilnius, LT) @CPH:DOX (Copenhagen, DK) @Opéra d’hiver, Wonder/Liebert (Bagnolet, FR)2018 Panorama 20,&nbsp; le Fresnoy (Tourcoing, FR) <img width="2696" height="1640" width_o="2696" height_o="1640" data-src="https://freight.cargo.site/t/original/i/8aa988e20b15a8b5c81bdae0b0e42215c3957682f2f35d356a1a16ae2fe449db/affectshigh-tech.jpg" data-mid="132542547" border="0" src="https://freight.cargo.site/w/1000/i/8aa988e20b15a8b5c81bdae0b0e42215c3957682f2f35d356a1a16ae2fe449db/affectshigh-tech.jpg" /> HIGH-TECH AFFECTS &amp; COLLAPSED FUTURE 2019-22 Practice-led doctoral research[more] 2022@Gaîté Lyrique, “Affects high-tech &amp; futur effondré”/Portfolio #3 (performance w/ Théo Pozoga, mod. Ingrid Luquet Gad) (Paris, FR) [link] @IRCAM, Humains, trop humains. Les sémantiques et mouvements de l’après, NOVA_XX/CWB (talk w/ Pascale Barret, Carla Marand, Emilie Notéris, mod. Sarah Fdili Alaoui) (Paris, FR) 2021 FOOR, Université de Lille (Lille, FR) 2020 Mondes spatialisés, colloque international, UJM (St Etienne, FR) 2019 Cyborgs &amp; Grammairiens, séminaire doctoral Pratique et recherche en art CEAC, ULille (Lille, FR) 2019 How not to be seen, journée d’étude sous la dir. de Simon Zara, @Syndicat Potentiel (Strasbourg, FR) <img width="4724" height="3150" width_o="4724" height_o="3150" data-src="https://freight.cargo.site/t/original/i/fcae19324971f50c375d8e76213d609b17bd8ca9f39ea0468e725b68c4cd49a2/2-ccoutant-hi-def.jpg" data-mid="128638783" border="0" src="https://freight.cargo.site/w/1000/i/fcae19324971f50c375d8e76213d609b17bd8ca9f39ea0468e725b68c4cd49a2/2-ccoutant-hi-def.jpg" /> HI-DEF! 2019 About touching technologies [more] 2019 Panorama 21: les revenants, Le Fresnoy (Tourcoing, FR) <img width="2648" height="1572" width_o="2648" height_o="1572" data-src="https://freight.cargo.site/t/original/i/8a51485a44746b36e05347b46a38c18cb2131f40a8207af6c3199fd87bda8a3a/2018-CCoutant_les-passions-telematiques.jpg" data-mid="128661259" border="0" src="https://freight.cargo.site/w/1000/i/8a51485a44746b36e05347b46a38c18cb2131f40a8207af6c3199fd87bda8a3a/2018-CCoutant_les-passions-telematiques.jpg" /> <img width="1384" height="924" width_o="1384" height_o="924" data-src="https://freight.cargo.site/t/original/i/b11df2968ef41a507ac8f999c278004c234c5397cf50d6a04e5f2171100d8efb/UNDChelsea-screens.jpg" data-mid="209390197" border="0" src="https://freight.cargo.site/w/1000/i/b11df2968ef41a507ac8f999c278004c234c5397cf50d6a04e5f2171100d8efb/UNDChelsea-screens.jpg" /> UNDERSHOOT SERIES 2016-18 Award of distinction - Ars Electronica ’19 About being stuck in language situations [more] 2022 @IAC, group show ‘Des voix traversées’, cur. Anne-Lou Vicente &amp; Raphaël Brunel 2021 Muses Algorithmique. Nouvelles perspectives narratives, Granit (Belfort, FR) 2019 Cyberarts, Ars Electronica ‘19, (Linz, AT) 2019 W.E.L.T.001–Apophenia, Gr_und, (Berlin, DE) 2018 Les passions télématiques, Prix CIC pour l’art contemporain, Mezzanine Sud, Les Abattoirs (Toulouse, FR) 2017 Crist’s Tears, talk @Ceci n’est pas un jeu, EESI (Poitiers, FR) 2017 UNDERSHOOT: we whistle and we blow, LAC&amp;S Lavitrine, Limoges. 2016 UNDERSHOOT, données sensibles: Cristiano, Confort Moderne, (Poitiers, FR) 2016 UNDERSHOOT, données sensibles: Chelsea, Crystal Palace/Zébra3 (Bordeaux, FR)&nbsp; <img width="1200" height="630" width_o="1200" height_o="630" data-src="https://freight.cargo.site/t/original/i/501531c4baaac3e5280cf82742db4130cff83469c212ef00577b6ca95c104f27/1streammeariver.png" data-mid="132545679" border="0" src="https://freight.cargo.site/w/1000/i/501531c4baaac3e5280cf82742db4130cff83469c212ef00577b6ca95c104f27/1streammeariver.png" /> <img width="3360" height="2050" width_o="3360" height_o="2050" data-src="https://freight.cargo.site/t/original/i/d6a6281f3ccf40c8a7778c013e583e3bc21ef23f3b5226f6df114eb587f6edc8/lefluideparfait.png" data-mid="132545539" border="0" src="https://freight.cargo.site/w/1000/i/d6a6281f3ccf40c8a7778c013e583e3bc21ef23f3b5226f6df114eb587f6edc8/lefluideparfait.png" /> STREAM ME A RIVER (SERIES) 2016-2018 About fighting capitalism with your tongue and your fluids Ep1: Stream me a river Ep2: Le fluide parfait Ep3: Hypersoupe [more] 2018 @France électronique, Printemps de Septembre, Isdat (Toulouse, FR)&nbsp; 2018 @Personne ne gagne #3, Le Wonder (Bagnolet, FR) 2017 @Éloge du mystère, galerie Ygrec, (Paris, FR) @Less Playboy is More Cowboy, Confort Moderne (Poitiers, FR) @Brouhaha, galerie du Granit (Belfort, FR) @LAC&amp;S Lavitrine, Limoges. 2016 Stream me a river (v. beta) + résidence, production Rhizome @Maison de la littérature (Québec, CA) <img width="1036" height="795" width_o="1036" height_o="795" data-src="https://freight.cargo.site/t/original/i/86a33af4b6234f78b412eb7a128497fe7f92d976780eccae4d826125995fa76a/delaprise.jpg" data-mid="132546148" border="0" src="https://freight.cargo.site/w/1000/i/86a33af4b6234f78b412eb7a128497fe7f92d976780eccae4d826125995fa76a/delaprise.jpg" /> DE LA PRISE DE PAROLE SENSIBLE A LA STRATEGIE DE COMMUNICATION MEDIATIQUE EN SITUATION DE CRISE 2017 book [more] [presses du réel]