Cindy Coutant is a visual artist based in Paris. Her films, installations and augmented readings focus on the slimy aspects of life intertwined with technology, the triumph of slobber over language, and the dumb whims of the western world to master an elusive nature.

Currently @Cité des Arts, Paris
PhD candidate (ULille/Le Fresnoy)
Complice @La HEAD - Genève

Co-founder of l4bouche
Co-editor @Excès

NOW
︎︎︎︎︎︎
. Les heures sauvages + Anarkhè-exposition @CWB Paris (FR)
. TechXploitation @Amicale du futur, Lyon (FR)
. Sounds of Earth Part. 2: Afterlife, mixtape w/ Théo Pozoga (commissioned by FRAC Corsica)
. Entretien (fr) @Trou Noir


RECENT PAST
︎︎︎︎︎︎
.15.08-27.08 Squish's HOT, Rotterdam, Netherlands (NL)
.15.10-19.03 Group show Un musée à soi, MRAC Occitanie, Sérignan (FR)
.03.12 From Bellies to Tentacles (cur. La Satellite), @That’s what x said, Brussels, (BE)
.18.06-27.11 Biotopia, Le Pavillon, Namur (BE)
.27.09 More than living (Open source body festival) @Cité des arts - Paris (cur. Ewen Chardronnet & Nataša Petresin-Bachelez)
.21.07 Nina et les robots live performance @MAMCO Genève (CH)
04.06-21.07 Des voix traversées, IAC, Villeurbanne (FR)
.9-12.06 Secret Garden of Porn, Melt Festival, Ferropolis - Gräfenhainichen (DE)
.19.05-30.05 World Scraps, La Volonté93, Saint-Ouen (FR) 


︎ Email
︎ l4bouche
︎ Excès
DE LA PRISE DE PAROLE SENSIBLE A LA STRATEGIE DE COMMUNICATION MEDIATIQUE EN SITUATION DE CRISE





Editorial project parallel to the residencies and exhibitions <3 (with Zebra3, Le Confort Moderne, Lavitrine), De la prise de parole sensible à la stratégie de communication médiatique en situation de crise (From sensitive speech to media communication strategy in crisis situations) consists of an iconographic set documenting the three acts from the Undershoot series (Chelsea, devoted to Chelsea Manning; Cristiano, and We whistle and we blow), as well as reproductions of texts, in particular the script of Surface de réparation, a performance reading offering a transcription of a football match in the future, performed in 2016 at the Palais de Tokyo.

The volume also features a text by Damien Airault devoted to the second part of the exhibition Undershoot, Sensitive Data: Cristiano, a digital creation project inspired by Tamagotchi that focuses on the figure of footballer Cristiano Ronaldo. Finally, the curator Jill Gasparina offers a more comprehensive essay on the artistic practice of Cindy Coutant, in which she particularly emphasizes the poetic aspect of her work.

Book, éd. Confort Moderne
272 pages
2017