Cindy Coutant is an artist and researcher based in Geneva. Her work examines the material and libidinal relations of technology: its flows, its regimes of penetration, extraction. In her films, installations and augmented readings, technology reveals itself as slobbering, pornographic, cannibalistic, excremental or collapsed. Here, we meet gremlins, snails, tardigrades, Ariel the Little Mermaid or spy robots ; all minor figures who speak from the margins of the techno-industrial imaginary to accelerate the break with the decaying hand and mind of civilisational patriotism.

Her thesis, entitled Disarming the Grand Narrative of Technology: High-Tech Sexo-Semiotics and the Grammar of the Future,(Désarmer le grand récit de la technologie. Sexo-sémiotique high tech et grammaire du futur) explores the sexual unconscious of technologies. It approaches the anxiety of bodies and the indeterminacy of affects as crucial issues for capitalist industry, but also as the foundation for another technological narrative.

ping@cindy.art

+co-founder of l4bouche
+caretaker of Bachelor Drama @HEAD - Genève

NOW
︎︎︎︎︎︎
· 25.09 – 12.12.26 Magnanrama @Bétonsalon, cur. Mathilde Belouali, Paris (FR)
· 23.09 – 22.10.26
Dilating the end of times, cur. Erell Le Pape et Mina Achermann, Genève (CH)
· 25.09 – 09.03.26
Stop The Machine! @MRAC, Sérignan (FR)

RECENT PAST
︎︎︎︎︎︎
· 26.06 – 23.08.26 Magnanrama @Capucins, cur. Mathilde Belouali, Embruns (FR)
· 22.05 – 28.06.26 Fête nationale anale @3353, cur. extra.collective, Genève (CH)
· 20.02 Préface de Zéros+Uns, Sadie Plant publiée par Sans Soleil. Lancement @Dispersion avec Sadie Plant, Oriane Petteni, 04.03.26, Genève (CH)
· 20.02 – 31.05.26 Magnanrama @Villa Arson, cur. Mathilde Belouali, Nice (FR)
· 01.02 – 12.04.25 Elle empêche les choses de dormir @40mcube, Rennes (FR)
· 13.02 – 10.05.25 Elle empêche les choses de dormir @Mécènes du sud, Montpellier (FR)
· 14.02 — 24.08.25 Mezzanine Sud - Prix des Amis des Abattoirs @Les Abattoirs, Musée - Frac Occitanie Toulouse (FR)
· AIAIA Sweatshop, @Duplex, Genève (CH)
. Entretien sur l’art @Fondation Pernod Ricard
. The future is unmanned @Liveinyourhead - Genève (CH)
. Temps de Mars, Musée des beaux-arts, La Chaux-de-Fonds (CH)
. Sounds of Earth Part. 2: Afterlife, mixtape w/ Théo Pozoga (commissioned by FRAC Corsica)
. Entretien (fr) @Trou Noir
· 1984-2024 : Désarmer le grand récit de la technologie. Sexo-sémiotique high tech et grammaire du futur, soutenance de thèse, 08.02.24 @Fresnoy
. Les heures sauvages + Anarkhè-exposition @CWB Paris (FR)
. TechXploitation @Amicale du futur, Lyon (FR)


︎ l4bouche
DE LA PRISE DE PAROLE SENSIBLE A LA STRATEGIE DE COMMUNICATION MEDIATIQUE EN SITUATION DE CRISE





Editorial project parallel to the residencies and exhibitions <3 (with Zebra3, Le Confort Moderne, Lavitrine), De la prise de parole sensible à la stratégie de communication médiatique en situation de crise (From sensitive speech to media communication strategy in crisis situations) consists of an iconographic set documenting the three acts from the Undershoot series (Chelsea, devoted to Chelsea Manning; Cristiano, and We whistle and we blow), as well as reproductions of texts, in particular the script of Surface de réparation, a performance reading offering a transcription of a football match in the future, performed in 2016 at the Palais de Tokyo.

The volume also features a text by Damien Airault devoted to the second part of the exhibition Undershoot, Sensitive Data: Cristiano, a digital creation project inspired by Tamagotchi that focuses on the figure of footballer Cristiano Ronaldo. Finally, the curator Jill Gasparina offers a more comprehensive essay on the artistic practice of Cindy Coutant, in which she particularly emphasizes the poetic aspect of her work.

Book, éd. Confort Moderne
272 pages
2017